Stop and Smell the Bacon Megan Buccere and Kirsty Mitchell as key

and Kirsty Mitchell as key influences

Stark landscapes and dilapidated carnival structures serve as backdrops to Wentz’ hauntingly beautiful paintings

instructing him to come to the Hotel Liège in Brussels

Michael Cuffe spent 8 years in the Hollywood film industry working for Paramount Studios

Stop and Smell the Bacon Megan Buccere and Kirsty Mitchell as keyDetails About Oil on paper 6 x 6 in. 2017 10 x 10 in. (f) Brian R. Donnelly s portraiture deconstructs the dialogue between the audience and objects by experimenting with the fragile nature of artwork. Faces deteriorate, separate, and occasionally combust in his work, redefining it as transitional rather than perpetual. Presenting fading memories instead of permanent effigies Donnelly draws a parallel between the fragility of artwork and the ephemeral